{"id":1547,"date":"2017-01-02T15:39:18","date_gmt":"2017-01-02T12:39:18","guid":{"rendered":"http:\/\/185.149.103.207\/~adanaseshaber\/haber-adana-dusman-isgalinden-kurtulusunu-iki-onemli-ressamin-sergisi-nin-acilisi-ile-kutlayacak-5017.html"},"modified":"2017-01-02T15:39:18","modified_gmt":"2017-01-02T12:39:18","slug":"adana-dusman-isgalinden-kurtulusunu-iki-onemli-ressamin-sergisi-nin-acilisi-ile-kutlayacak-5017","status":"publish","type":"post","link":"https:\/\/adanaseshaber.com.tr\/?p=1547","title":{"rendered":"Adana, D\u00fc\u015fman \u0130\u015fgalinden Kurtulu\u015funu, \u0130ki \u00d6nemli Ressam\u0131n Sergisi\u2019nin A\u00e7\u0131l\u0131\u015f\u0131 \u0130le Kutlayacak"},"content":{"rendered":"<p><span style=\"font-size:20px\"><span style=\"color:#000000\">&ldquo;Adana&rsquo;n\u0131n \u0130zini B\u0131rakanlar&rdquo;a her ge&ccedil;en g&uuml;n bir yenisi daha ekleniyor. Bu isimlerden \u015eemsettin Ba\u015fkurt ve Adnan Ate\u015fok&nbsp;g&uuml;n&uuml;m&uuml;zde Mimar Sinan &Uuml;niversitesi olarak bilinen Sanayi-i Nefise yani G&uuml;zel Sanatlar Akademisi&#39;nde e\u011fitim g&ouml;rm&uuml;\u015ft&uuml;r.&nbsp;Aralar\u0131nda ku\u015fak fark\u0131 olmas\u0131na ra\u011fmen bu e\u011fitim&nbsp;her ikisinin&nbsp;de sanat anlay\u0131\u015f\u0131nda benzerlik g&ouml;r&uuml;lmesini sa\u011flam\u0131\u015ft\u0131r. Empresyonist &ccedil;izgilerle ba\u015flay\u0131p, post empresyonist olarak devam eden Ba\u015fkurt&rsquo;a ra\u011fmen, Ate\u015fok empresyonist &ccedil;izgilerini, r&uuml;yalar\u0131n\u0131 resmetmenin emrine vererek s&uuml;rrealist &ccedil;al\u0131\u015fmalara da imza atm\u0131\u015ft\u0131r.<\/span><\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-size:20px\"><span style=\"color:#000000\">\u015eemsettin Ba\u015fkurt &#8211; Adnan Ate\u015fok&rsquo;un sanat birlikteli\u011fi, sanat tarihinin empresyonizm &#8211; post empresyonizm &ndash; ekspresyonizm- s&uuml;rrealizm \u015feklinde devam eden kronolojik de\u011fi\u015fimine birebir uymaktad\u0131r. Bu y&uuml;zden ikisinin birlikteli\u011fi Adana sanat\u0131n\u0131n tarihsel geli\u015fimine \u0131\u015f\u0131k tutmas\u0131 a&ccedil;\u0131s\u0131ndan &ouml;nemlidir.<\/span><\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-size:20px\"><span style=\"color:#000000\">Seyhan Belediye Ba\u015fkan\u0131 Zeydan Karalar &ldquo; Atat&uuml;rk&rsquo;&uuml;n sanata vermi\u015f oldu\u011fu deste\u011fi bilen bir nesil oldu\u011fumuz i&ccedil;in Adana&rsquo;n\u0131n kurtulu\u015funu da bu iki &uuml;stad\u0131n sergisini a&ccedil;arak kutlamak istedik.&rdquo; diyerek sanat\u0131n bir toplum i&ccedil;in ne kadar &ouml;nemli oldu\u011funu bir kez daha vurgulam\u0131\u015ft\u0131r.<\/span><\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-size:20px\"><span style=\"color:#000000\">5 Ocak 2017 Per\u015fembe g&uuml;n&uuml; Seyhan Belediyesi Ya\u015far Kemal K&uuml;lt&uuml;r Merkezi&rsquo;nde Abidin Dino Sanat Galerisi&rsquo;nde saat:18.30&rsquo;da a&ccedil;\u0131lacak olan serginin k&uuml;rat&ouml;rl&uuml;\u011f&uuml;n&uuml; S. Haluk Uygur ile Mehmet Emin Ar\u0131c\u0131 &uuml;stlenmektedir. Claudia &Uuml;zelge&ccedil;ici, Hanife Uygur, \u0130lknur Ta\u015fa, Mustafa &Uuml;zelge&ccedil;ici, Pelin Emraho\u011flu, Pakize Aksu, Semiran Bah&ccedil;\u0131van ve \u0130smail &Ouml;kke ise k&uuml;rat&ouml;r yard\u0131mc\u0131l\u0131\u011f\u0131n\u0131 y&uuml;r&uuml;tmektedir.<\/span><\/span><\/p>\n<p><span style=\"font-size:20px\"><span style=\"color:#000000\">Sergi i&ccedil;in haz\u0131rlanan katalogda; Orhan Apayd\u0131n, S. Haluk Uygur, Mehmet Emin Ar\u0131c\u0131, Etem &Ccedil;al\u0131\u015fkan,&nbsp; Gazi Sansoy, Pelin Emraho\u011flu, Ali \u0130hsan &Ouml;kten, Fevzi Acevit, Nurettin &Ccedil;elmeo\u011flu, ve Ayber Hast&uuml;rk&rsquo;ten olu\u015fan isimler bu iki ustay\u0131 anlatan yaz\u0131lar kaleme alm\u0131\u015ft\u0131r. Katalog, sergi s\u0131ras\u0131nda konuklara &uuml;cretsiz olarak da\u011f\u0131t\u0131lacakt\u0131r.<\/span><\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-size:20px\"><span style=\"color:#000000\"><strong>\u015eemsettin Ba\u015fkurt Kimdir?<\/strong><\/span><\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-size:20px\"><span style=\"color:#000000\">Atat&uuml;rk&#39;&uuml;n kurulmas\u0131n\u0131 sa\u011flad\u0131\u011f\u0131 Halkevleri&#39;nde yeti\u015fen&nbsp;\u015eemsettin Ba\u015fkurt;&nbsp;1932 y\u0131l\u0131nda Adana&#39;ya &ouml;\u011fretmen olarak atand\u0131.&nbsp;S\u0131ras\u0131yla 1. Ortaokul (Tepeba\u011f Ortaokulu) ve 2. Ortaokul&#39;da (\u0130stiklal Ortaokulu) resim &ouml;\u011fretmenli\u011fi yapt\u0131. 1948 y\u0131l\u0131nda Adana&#39;da vefat etti.<\/span><\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-size:20px\"><span style=\"color:#000000\">Adana&rsquo;daki s&uuml;rg&uuml;n y\u0131llar\u0131nda Abidin Dino ile tan\u0131\u015fmalar\u0131, y\u0131llar sonra Abidin Dino&rsquo;nun Paris&rsquo;te \u015eemsettin Ba\u015fkurt sergisini a&ccedil;mak istemesine vesile olmu\u015ftur. Ancak baz\u0131 sebeplerden &ouml;t&uuml;r&uuml; Paris&rsquo;te a&ccedil;\u0131lamayan sergi, &ouml;\u011frencisi ve ayn\u0131 zamanda yak\u0131n dostu olan Ya\u015far Kemal taraf\u0131ndan \u0130stanbul&rsquo;da ger&ccedil;ekle\u015fmi\u015ftir. Ve Ya\u015far Kemal&rsquo;in &ouml;l&uuml;m&uuml;nden sonra bu misyonu Seyhan Belediyesi, Alt\u0131noran D&uuml;\u015f&uuml;nce ve Sanat Platformu, Lions Kul&uuml;b&uuml; ile 20 sanat, e\u011fitim ve meslek kurulu\u015fu Adana&rsquo;n\u0131n sanata olan ilgisini tekrar canland\u0131rmay\u0131 misyon edinmi\u015ftir.<\/span><\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-size:20px\"><span style=\"color:#000000\"><strong>Adnan Ate\u015fok kimdir?<\/strong><\/span><\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-size:20px\"><span style=\"color:#000000\">&nbsp;Tepeba\u011f Ortaokulu ve Adana Erkek Lisesi&#39;ni bitirdi. Ard\u0131ndan \u0130stanbul Hukuk Fak&uuml;ltesi&#39;ne kayd\u0131n\u0131 yapt\u0131rd\u0131. \u0130stanbul&#39;da ya\u015fad\u0131\u011f\u0131 s&uuml;re Sanayi-i Nefise&#39;ye misafir &ouml;\u011frenci olarak kat\u0131ld\u0131 ve empresyonizm ak\u0131m\u0131 ile tan\u0131\u015ft\u0131.&nbsp;Gen&ccedil;li\u011finden beri resme ilgisi olan Ate\u015fok, ortaokul veya lise d&ouml;neminde \u015eemsi Hoca&#39;dan ders al\u0131p almad\u0131\u011f\u0131n\u0131 hen&uuml;z bilinmese de; tarzlar\u0131n\u0131n benzemesi ve konular\u0131n\u0131n Adana olmas\u0131 ikisini birbirinin devam\u0131 olarak de\u011ferlendirilebilir.&nbsp;Adana&#39;da &ccedil;ift&ccedil;ilikle u\u011fra\u015f\u0131rken, resme olan ilgisinden vazge&ccedil;meyen Ate\u015fok 2004 y\u0131l\u0131nda Adana&#39;da vefat etti.<\/span><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>&ldquo;Adana&rsquo;n\u0131n \u0130zini B\u0131rakanlar&rdquo;a her ge&ccedil;en g&uuml;n bir yenisi daha ekleniyor. Bu isimlerden \u015eemsettin Ba\u015fkurt ve Adnan Ate\u015fok&nbsp;g&uuml;n&uuml;m&uuml;zde Mimar Sinan &Uuml;niversitesi olarak bilinen Sanayi-i Nefise yani G&uuml;zel Sanatlar Akademisi&#39;nde e\u011fitim g&ouml;rm&uuml;\u015ft&uuml;r.&nbsp;Aralar\u0131nda ku\u015fak fark\u0131 olmas\u0131na ra\u011fmen bu e\u011fitim&nbsp;her ikisinin&nbsp;de sanat anlay\u0131\u015f\u0131nda benzerlik g&ouml;r&uuml;lmesini sa\u011flam\u0131\u015ft\u0131r. Empresyonist &ccedil;izgilerle ba\u015flay\u0131p, post empresyonist olarak devam eden Ba\u015fkurt&rsquo;a ra\u011fmen, Ate\u015fok empresyonist &ccedil;izgilerini, &hellip;<\/p>\n","protected":false},"author":1,"featured_media":1548,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[18],"tags":[2679,1937,4078,2116,1941,4079,4080,4083,2254,4081,4082],"class_list":["post-1547","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-sanat","tag-acilisi","tag-adana","tag-dusman","tag-iki","tag-ile","tag-isgalinden","tag-kurtulusunu","tag-kutlayacak","tag-onemli","tag-ressamin","tag-sergisinin"],"amp_enabled":true,"_links":{"self":[{"href":"https:\/\/adanaseshaber.com.tr\/index.php?rest_route=\/wp\/v2\/posts\/1547","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/adanaseshaber.com.tr\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/adanaseshaber.com.tr\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/adanaseshaber.com.tr\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/adanaseshaber.com.tr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1547"}],"version-history":[{"count":0,"href":"https:\/\/adanaseshaber.com.tr\/index.php?rest_route=\/wp\/v2\/posts\/1547\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/adanaseshaber.com.tr\/index.php?rest_route=\/wp\/v2\/media\/1548"}],"wp:attachment":[{"href":"https:\/\/adanaseshaber.com.tr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1547"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/adanaseshaber.com.tr\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1547"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/adanaseshaber.com.tr\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1547"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}